We reviewed key topics in the critique, such as How do you know when your drawn figure is in proportion? and What is composition? From this point on we began discussing the drawings in front of the class. The class was able to discuss what made one drawing more successful in comparison to another, who had the best composition, which drawing looked most finished, and so on. By numbering the drawings it helped keep the discussion organized as well as keeping the artists' work anonymous- relieving the anxieties associated with critiques.
By the end of the day, this marked our 42 hour completion for fieldwork III. Sam Leopoldo and I learned a great deal from observing the school, various teacher's teaching styles, and teaching our lessons in Mrs. Masterson's art classes. Mrs. Masterson was a wonderful mentor teacher, and we thank her for her generosity and for the opportunity to learn and teach in her class.
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